More TV and Film News

Despite poor ratings, Joss Whedon’s Dollhouse has been renewed for a second season of 13 episodes because FOX network executives like the show and were sold on Whedon’s pitch for his planned second season storylines. Whedon had to agree to a reduced budget to make it happen, and it sounds as if a new writing staff could be brought in. I wish FOX would have had executives like this when Firefly was on the air.

This article argues that Dollhouse is Joss Whedon’s greatest work. I don’t think it’s his greatest work, but it’s certainly his most challenging and interesting work. Buffy the Vampire Slayer and Angel got stronger as they went along, so perhaps the same will happen with Dollhouse.

FOX is also putting an end to the Dollhouse and Fringe experiment of fewer commercials per hour because it was losing the network money, so instead of the 50-minute length for episodes they had in their first seasons, the second seasons of both shows will be the standard 42-minute length per episode. This is good for Dollhouse because losing eight minutes per episode will help them stay within the reduced budget.

FOX canceled Terminator: The Sarah Connor Chronicles after two seasons. I disliked the show immensely, but I know it had its fans.

FOX gave a 13 episode order for the first season of Human Target, an adaptation of the DC Comics character starring Fringe’s Mark Valley. Some of you may recall a previous adaptation in 1992 that starred Rick Springfield and was canceled after seven episodes. The new version will premiere in January 2010

NBC renewed Chuck for a third season, but with a reduction of episodes from 22 to 13 and a smaller budget.

Bad news: Reaper is being canceled by the CW network after two seasons. Good news: ABC Studios wants to keep the show going, so they’re considering producing a third season and selling it to local stations in syndication. More bad news: creators/showrunners Michelle Fazekas and Tara Butters will be leaving the show even if it comes back, and actor Tyler Labine, who plays Sock, may leave the show or be reduced to an occasional guest star after his new sitcom, Sons of Tucson, was picked up by FOX.

Chris Hemsworth, who played Kirk’s father in Star Trek, is in final negotiations with Marvel Studios to play the title role in Thor. Interesting casting choice. I could see him better as Captain America, actually. The film is scheduled for release on May 20, 2011, and Hemworth would reprise the role in the planned Avengers film in 2012 alongside Robert Downey Jr. as Iron Man, Don Cheadle as War Machine, Lou Ferrigno as the voice of a CGI Hulk, and whoever they cast as Captain America.

The British science fiction show Primeval, whose third season began airing in the US on BBC America this past weekend, is going to be remade in the US as a feature film produced by screenwriter Akiva Goldsman (A Beautiful Mind, The Da Vinci Code), although he won’t write it.

Torchwood: Children of Earth should air on BBC One and BBC America in July, on the same days in both the UK and the US, but a month later than previously suggested.

Film and TV Chatter

You know, Star Trek is getting such rave reviews that I’m going to turn off my inner OCD geek and just enjoy the film as an alternative interpretation of classic characters.

And am I the only one who thinks Chris Pine, the new Captain Kirk, resembles James Dean?

X-Men Origins: Wolverine is the first hit of the summer film season, so a sequel is already being developed. It’ll reportedly be an adaptation of the classic Chris Claremont/Frank Miller Wolverine miniseries from 1982, meaning a Japanese setting, samurai, ninjas, and the Yakuza. Hopefully, the writers will focus more on character development next time.

Ryan Reynolds, who played Deadpool in X-Men Origins: Wolverine, is set to reprise the character in a solo Deadpool film. This has been rumored for quite some time, but the success of X-Men Origins: Wolverine has finally allowed the project to move forward. I think his healing factor may be used to allow him to return to a more recognizable form in the solo film.

Other mutant-related films that may also be moving forward soon are X-Men Origins: Magneto and X-Men: First Class. The former is being written by Dark Knight co-writer David S. Goyer and the latter is being written by Chuck co-creator Josh Schwartz.

Speaking of Chuck, it should be announced by May 19th if it’ll return for a third season. Among other geek-oriented shows, Heroes has been renewed for a fourth season (albeit with a reduction of episodes from the past season’s 25 to only 18) and Fringe has been renewed for a second season. Dollhouse is on life support at this point, but some rumors have gone around that Fox might renew it if it could be paired with a show with stronger ratings as a lead in.

Green Lantern is set to begin filming in Australia in November. Front runners for the title role are rumored to include two J.J. Abrams-associated actors: Chris Pine and former Alias star Bradley Cooper.

Danielle: Random Geeky News

I’ve been sick, so in lieu of heavy content here’s some random geeky news.

Smallville has been renewed for a ninth and final season. No big surprise there, seeing as how the current season is the CW network’s biggest ratings grabber among scripted shows for key demographic groups. The largest hurdle was getting star Tom Welling to commit to one more season, but apparently a large pile of money and an offer to direct multiple episodes did the trick. However, it appears that half of the current four-person showrunning committee will be moving on to oversee the new version of Melrose Place. The CW also renewed Supernatural for a fifth and final season.

Warner Bros. announced the release dates for several upcoming genre films: Sherlock Holmes, 25 December 2009; Clash of the Titans, 26 March 2010; Jonah Hex, 6 August 2010; Harry Potter and the Deathly Hallows: Part I, 19 November 2010; Green Lantern, 17 December 2010; Harry Potter and the Deathly Hallows: Part II, 15 July 2011. Marvel Studios also announced that Thor will hit screens on 16 July 2010.

Speaking of Marvel films, Samuel L. Jackson has signed a contract to reprise his Iron Man role as Nick Fury in several films, with appearances in Iron Man 2, Thor, The First Avenger: Captain America, and The Avengers planned, as well as a possible S.H.I.E.L.D. film.

So who should they cast as Hal Jordan in Green Lantern? David Boreanaz was mentioned as a possibility last year, but that was before director Martin Campbell (Casino Royale) came aboard. Boreanaz certainly captured Jordan’s personality in the Justice League: New Frontier animated film. If I was the director, I’d consider Nathan Fillion (Firefly). He’d be perfect as Hal Jordan. Matt Keeslar (The Middleman) or Jensen Ackles (Supernatural) would be good choices, too.

Dollhouse is getting decent ratings in key demographic groups for a Friday night, which suggests the possibility of a second season. If it holds steady over the remaining eleven episodes of the first season, I think it’ll be back. If it loses ground with each episode, it’s probably a goner. Terminator: The Sarah Connor Chronicles is unlikely to survive to a third season, though. Which is a good thing, IMO.

With the final season of Battlestar Galactica having been filmed last year, it’s been interesting to see the trickle down effect of its writing staff moving on to other shows: Mark Verheiden to Heroes, Jane Espenson to Dollhouse (and soon to Caprica, the BSG prequel series), and Bradley Thompson & David Weddle to CSI: Las Vegas.

Russell Crowe as Robin Hood and Cate Blanchett as Maid Marian? Apparently so, as they’ve been cast in Ridley Scott’s Nottingham (though that title may change), which begins shooting in April.

- Danielle Ni Dhighe

Review: Dollhouse, Episode 1.1, “Ghost”

Joss Whedon created Buffy the Vampire Slayer, Angel, and Firefly. After a half decade away from the television game, he returns with his latest creation, and it begins on a positive note.

The Dollhouse is a mysterious organization that programs their female and male agents, known as Actives or Dolls, to be whatever you want them to be for a short period of time and of course for a very large fee. The Dolls are mindwiped into a childlike state between jobs. The series follows one particular Doll known only by the code name of Echo (Eliza Dushku).

It starts off by introducing the ground rules and the characters. After the original pilot was scrapped, allegedly for being too dark and confusing, a new introductory episode was quickly filmed and some changes were made to the cast and characters. Although Whedon has publicly accepted the blame for that, it still sounds to me more like network interference. I wish I could watch the original pilot and compare it to this. There are certainly some flaws present here, but it can take time for a new show to find its identity.

Whedon wrote and directed this episode. Although the dialogue could be sharper and the characters could be better defined, it’s undeniably a Whedon creation. It’s the first step on a journey he has mapped out for five seasons. While his other shows have all been about family, this one seems to be more about alienation, loss of identity, and objectification. In some ways, this could be called his foray into arthouse territory as he explicitly plays with expected television narrative structure. People who briefly take on different personalities to meet the needs of others strikes me as a deliberate metaphor for the nature of television and its audience.

Whedon’s never hit the ground running with any of his shows, although Firefly came the closest to doing so. Buffy and Angel didn’t start to hit their stride until their second seasons. In the first season of Buffy, the characters seemed two dimensional compared to how they developed over the next six seasons. If you judge any of his shows based only on their first broadcast episodes, you get a radically different view than if you watch their entire runs.

In some ways, Buffy is an albatross around Whedon’s neck. Every time he does something else, people expect it be just like the best seasons of Buffy. I believe that hurt Firefly, even though it eventually developed a cult of its own. And now Dollhouse isn’t Buffy or Firefly, and in fact finds Whedon doing something very different than anything he’s done before.

Buffy and Angel alumnus Dushku is believable as Echo, and the three personalities she displays in this episode all seem distinct from one another. I think she can meet the challenges of the role weekly. The cast also includes Olivia Williams as the woman who runs the Dollhouse, Battlestar Galactica’s Tahmoh Penikett as an FBI agent investigating rumors that the Dollhouse exists, Fran Kranz as the Dollhouse’s resident geek, Harry J. Lennix as Echo’s handler, Angel alumnus Amy Acker as the Dollhouse’s physician, and Reed Diamond as the Dollhouse’s head of security.

I like Dollhouse so far. It has a lot of potential, but it needs time to build on it. This first episode is a solid base to build on, even if it’s not the immediate spectacular some might have expected it to be. If creator Joss Whedon is true to form, it will only get better as it goes along.

- Danielle Ni Dhighe